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theatre state
In political anthropology, a theatre state is a political state directed towards the performance of drama and ritual rather than more conventional ends such as welfare. Power in a theatre state is exercised through spectacle. The term was coined by Clifford Geertz in 1980 in reference to political practice in the nineteenth-century Balinese Negara〔Geertz, C. (1980) ''Negara: The Theatre State in Nineteenth-Century Bali''. Princeton University Press. ISBN 0691007780.〕 but its usage has since expanded. Hunik Kwon and Byung-Ho Chung, for example, argue that contemporary North Korea is a theatre state.〔Kwon, H. & Chung, B-H. (2012) ''North Korea: Beyond Charismatic Politics''. Rowman & Littlefield, Chapter 2. ISBN 1442215771.〕 In Geertz's original usage, the concept of the theatre state contests the notion that precolonial society can be analysed in the conventional discourse of Oriental despotism.〔Heder, S. "Political Theatre in the 2003 Cambodian Elections", in Strauss, J. C. & O'Brien, D. C. (eds.) (2007) ''Staging Politics: Power and Performance in Asia and Africa''. I. B. Tauris, p. 151.〕
==References==
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